意大利电影

威尼斯圣马可广场上的电影萤幕

义大利电影（义大利语：Cinema italiano）是指在义大利制作或由义大利人制作的电影。义大利在法国卢米埃兄弟开始拍摄电影几个月之后就开始发展电影，孕育出许多著名电影导演。而义大利电影的发展对于其他国家的电影也有深远的影响，例如新写实主义。

参见

• 义大利电影列表
• 布德·斯藩塞

参考资料

• Bacon, Henry. 1998. Visconti: Explorations of Beauty and Decay. Cambridge: Cambridge University Press
• Ben-Ghiat, Ruth. 'The Fascist War Trilogy'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Bernardi, Sandro. 2000. 'Rosselini's Landscapes: Nature, Myth, History'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Bondanella, Peter. 2002. The Films of Federico Fellini. Cambridge: Cambridge University Press. ISBN 0-521-57573-7
• Bondanella, Peter. 3rd edition. 2002. Italian Cinema: From Neorealism to the Present. New York and London: Continuum
• Celli, Carlo, Cottino-Jones, Marga. 2007. "A New Guide to Italian Cinema". New York: Palgrave MacMillan
• Cherchi Usai, Paolo. 1997. ' Italy: Spectacle and Melodrama'. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
• Clark, Martin. 1984. Modern Italy 1871-1982. London: Longman
• Forgacs, David. 2000. 'Introduction: Rossellini and the Critics'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. 2000. Roberto Rossellini: Magician of the Real. London: BFI
• Indiana, Gary. 2000. Salo or The 120 Days of Sodom. London, BFI
• Kemp, Philip. 2002. 'The Son's Room'. Sight and Sound. Vol 12 No 3 March p. 56
• Landy, Marcia. 2000. Italian Film. Cambridge: Cambridge University Press
• Mancini, Elaine. 1985 Struggles of the Italian Film Industry during Fascism 1930-1935 Ann Arbor: UMI Press
• Marcus, Millicent. 1993. Filmmaking by the Book. Baltimore: Johns Hopkins University Press
• Marcus, Millicent. 1986. Italian Film in the Light of Neorealism. Princeton: Princeton University Press
• Morandini, Morando. 1997. ' Vittorio de Sica' . Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
• Morandini, Morando. 1997. 'Italy from Fascism to Neo-Realism'. Nowell-Smith Geoffrey Ed : Oxford History of World Cinema. Oxford : Oxford University Press.
• Nowell-Smith, Geoffrey. 2003 3rd edition. Luchino Visconti. London: British Film Institute
• Nowell-Smith, Geoffrey. 2000. 'North and South, East and West': Rossellini and Politics. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Rohdie, Sam. 2002. Fellini Lexicon. London: BFI
• Rohdie, Sam. 2000. 'India' Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Rohdie, Sam. Rocco and his Brothers. London: BFI
• Sitney, P. Adams. 1995. Vital Crises in Italian Cinema. Austin: University of Texas Press. ISBN 0-292-77688-8
• Sorlin, Pierre. 1996. Italian National Cinema. London: Routledge
• Wagstaff, Christopher. 2000. 'Rossellini and Neo-Realism'. Forgacs, David , Lutton, Sarah and Nowell-Smith Geoffrey. Eds. Roberto Rossellini: Magician of the Real. London: BFI
• Wood, Mary. 2002. 'Bernado Bertolucci in context': Tasker Yvonne: Fifty Contemporary Filmmakers. London: Routledge
• Wood, Michael. 2003. 'Death becomes Visconti'. Sight and Sound, May 2003 Volume 13 Issue 5 , pp 24–27

外部链接

• Italica - Moments of Italian Cinema
• Spaghetti Violence: A Guide to Italian Genre Cinema
• Italian Cinema Special, May 2010 issue of Sight & Sound magazine
• Italian Production Agency