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== Description ==

CTXT由欧洲十四家不同报纸的记者共同创建，之中包括《[[国家报]]》、《[[世界报 (西班牙)|世界报]]》以及《{{tsl|en|La Repubblica|共和国报}}》。该平台创建初衷为打造一个允许记者完全独立写作，而不服务于企业、政治或报社利益的平台<ref name=Sueddeutsche />。在网站上，CTXT宣称其宗旨是「为」 On its website, ''CTXT'' states that its primary goals are "to provide political and economic context to the most relevant news, anticipate the most important issues that will define the news agenda, dynamize culture and creation, promote the debate of ideas and communicate and analyze facts with discipline, honesty, humor (whenever possible), and criticism."<ref name=QuienesSomos>{{cite web|url=https://ctxt.es/es/20150115/redaccion/36/|title=Redacción - ctxt.es|website=ctxt.es}}</ref>它宣称在由[[社会化媒体]]及[[後真相政治]]所导致的快餐式、文笔差且东拼西凑情形泛滥的乱象之下，它仍是一部可供选择的读物。其网站上的标语是：「为姗姗来迟的最新新闻报导感到自豪」。<ref name=DirCom>{{cite web|url=https://dircomfidencial.com/medios/ctxt-obtiene-beneficios-en-su-tercer-ano-buscamos-lectores-no-pinchazos-20180111-0404/|title=CTXT obtiene beneficios en su tercer año: "buscamos lectores, no pinchazos"|date=11 January 2018|publisher=}}</ref>

''CTXT'' covers topics relating primarily to politics and economics, as well as culture and sports, in Spain, Europe and the rest of the world. It has a multimedia section with video interviews, photography and political cartoons. In 2017, ''CTXT'' released a video series called "Qué hacer" ("What is to be done") reflecting on the {{tsl|en|presidency of Donald Trump||presidency of Donald Trump}}. The series consists of thirteen interviews with prominent intellectuals in the United States, including {{tsl|en|Wendy Brown (political theorist)||Wendy Brown}}, {{tsl|en|Silvia Federici||Silvia Federici}} and {{tsl|en|Nancy Fraser||Nancy Fraser}}.<ref>{{cite web|url=https://ctxt.es/es/?tpl=77&tpid=419|title=Especial: Qué hacer - ctxt.es|first=CTXT. Contexto y|last=acción|website=ctxt.es}}</ref>

The ''CTXT'' website includes an English-language section called the "English Corner," and frequently posts interviews and articles from English-language sources translated into Spanish.

''CTXT'''s online content is available for free to the public in a weekly format. Subscribers receive a monthly print publication with a changing theme, called the ''Dobladillo''. Past Dobladillo themes have included feminism and the 8M strike in Spain, Spain's gay law or {{tsl|en|Anti-austerity movement in Spain#Citizens' Security law||Ley Mordaza}}, [[同性戀驕傲|Gay Pride]], [[狂歡節|Carnaval]], and [[後真相政治|post-truth politics]]. In early 2018, ''CTXT'' and the Spanish publisher [[Lengua de Trapo]] launched a new independent press, ''Editorial Colección Contextos''.<ref>{{cite web|url=https://www.elconfidencial.com/cultura/2018-02-18/jorge-lago-podemos-lengua-de-trapo-entrevista_1522838/|title=Jorge Lago: Me gustaría que me conocieran por lo que hago, no por lo que tengo. Noticias de Cultura|publisher=}}</ref><ref>{{cite web|url=https://www.infolibre.es/noticias/cultura/2018/02/24/ignacio_sanchez_cuenca_superioridad_moral_izquierda_una_condena_75758_1026.html|title=Ignacio Sánchez-Cuenca: "La superioridad moral de la izquierda es una condena"|first=Clara|last=Morales|website=infoLibre.es}}</ref> ''CTXT'' also has a collaborative editorial agreement with the Spanish left-wing online newspaper ''{{tsl|en|Público (Spain)||Público}}''<ref>{{cite web|url=http://www.publico.es/economia/comunicacion/publico-suma-contexto-oferta-informativa.html|title='Público' y 'CTXT' sellan una alianza editorial|publisher=}}</ref><ref name=VozP>{{cite web|url=https://www.vozpopuli.com/medios/CTXT-Publico-Alianzas-Display_Connectors-Prensa_digital-Ctxt-Publico-alianza-prensa_digital_0_921507870.html|title=Se abren las fusiones de medios digitales: Público y Ctxt se unen|first=Rubén|last=Arranz|publisher=}}</ref> and the US-based magazine ''{{tsl|en|The Baffler||The Baffler}}''.<ref>http://ctxt.es/es/20170906/Politica/14825/The-Baffler-CTXT-acuerdo-editorial-EE-UU.htm</ref>

''CTXT'' accepts only sponsors and advertisers that do not interfere with the editorial line.<ref name=DirCom /> 53% of its budget comes from the subscriber base; advertising accounts for only 12.9%.<ref name=DirCom />



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2018年9月6日 (四) 16:35的版本

Description

CTXT由欧洲十四家不同报纸的记者共同创建，之中包括《国家报》、《世界报》以及《共和国报》。该平台创建初衷为打造一个允许记者完全独立写作，而不服务于企业、政治或报社利益的平台[1]。在网站上，CTXT宣称其宗旨是「为」 On its website, CTXT states that its primary goals are "to provide political and economic context to the most relevant news, anticipate the most important issues that will define the news agenda, dynamize culture and creation, promote the debate of ideas and communicate and analyze facts with discipline, honesty, humor (whenever possible), and criticism."[2]它宣称在由社会化媒体及後真相政治所导致的快餐式、文笔差且东拼西凑情形泛滥的乱象之下，它仍是一部可供选择的读物。其网站上的标语是：「为姗姗来迟的最新新闻报导感到自豪」。[3]

CTXT covers topics relating primarily to politics and economics, as well as culture and sports, in Spain, Europe and the rest of the world. It has a multimedia section with video interviews, photography and political cartoons. In 2017, CTXT released a video series called "Qué hacer" ("What is to be done") reflecting on the presidency of Donald Trump（英语：presidency of Donald Trump）. The series consists of thirteen interviews with prominent intellectuals in the United States, including Wendy Brown（英语：Wendy Brown (political theorist)）, Silvia Federici（英语：Silvia Federici） and Nancy Fraser（英语：Nancy Fraser）.[4]

The CTXT website includes an English-language section called the "English Corner," and frequently posts interviews and articles from English-language sources translated into Spanish.

CTXT's online content is available for free to the public in a weekly format. Subscribers receive a monthly print publication with a changing theme, called the Dobladillo. Past Dobladillo themes have included feminism and the 8M strike in Spain, Spain's gay law or Ley Mordaza（英语：Anti-austerity movement in Spain#Citizens' Security law）, Gay Pride, Carnaval, and post-truth politics. In early 2018, CTXT and the Spanish publisher Lengua de Trapo launched a new independent press, Editorial Colección Contextos.[5][6] CTXT also has a collaborative editorial agreement with the Spanish left-wing online newspaper Público（英语：Público (Spain)）[7][8] and the US-based magazine The Baffler.[9]

CTXT accepts only sponsors and advertisers that do not interfere with the editorial line.[3] 53% of its budget comes from the subscriber base; advertising accounts for only 12.9%.[3]


Internationalist
File:Internationalist powderfinger.jpg
Powderfinger的录音室专辑
发行日期7 September 1998 (Australia)
录制时间1997-98
录音室Sing Sing Studios, Melbourne, Australia
类型Alternative rock
时长45:33
唱片公司Polydor
制作人Nick DiDia（英语：Nick DiDia）
Powderfinger专辑年表
Double Allergic（英语：Double Allergic）
(1996)字符串模块出错：找不到匹配字符串模块出错：找不到匹配 		Internationalist
(1998) 		The Triple M Acoustic Sessions（英语：The Triple M Acoustic Sessions）
(1999)字符串模块出错：找不到匹配字符串模块出错：找不到匹配
收錄於《Internationalist》的單曲
  1. The Day You Come（英语：The Day You Come）
    發行日期：10 August 1998
  2. Don't Wanna Be Left Out/Good-Day Ray（英语：Don't Wanna Be Left Out/Good-Day Ray）
    發行日期：9 November 1998
  3. Already Gone（英语：Already Gone (Powderfinger song)）
    發行日期：12 February 1999
  4. Passenger（英语：Passenger (Powderfinger song)）
    發行日期：9 August 1999

Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works.

Internationalist followed in the success of its predecessor, Double Allergic（英语：Double Allergic）, and was certified five times platinum in Australia. Internationalist received four ARIA Music Awards（英语：ARIA Music Awards）, including "Album of the Year". The album produced four singles for the band; "The Day You Come（英语：The Day You Come）", "Don't Wanna Be Left Out（英语：Don't Wanna Be Left Out）/Good-Day Ray（英语：Good-Day Ray）", "Already Gone（英语：Already Gone (Powderfinger song)）" and "Passenger（英语：Passenger (Powderfinger song)）", which all appeared on Triple J（英语：Triple J）'s Hottest 100（英语：Triple J Hottest 100） poll in two consecutive years.

Internationalist received fairly positive reviewers in the Australian press, and cemented Powderfinger's position on the local music scene; however, the album failed to launch the band in the overseas market.

Background

Powderfinger spent much of early 1997 touring, after the success of Double Allergic（英语：Double Allergic）. Songwriter Bernard Fanning（英语：Bernard Fanning） then spent much of 1997 writing songs for Internationalist in Brisbane, drawing on inspiration from a mid-1997 band trip to the United States.[10]

The album's title refers to escapism（英语：escapism）—namely, the ability that an "internationalist" has to escape from racial and social tension. When asked in a Juice interview, Bernard Fanning（英语：Bernard Fanning） summarised the title of the album by stating;

Recording and production

Internationalist was recorded at Melbourne's Sing Sing Studios, with Powderfinger accompanied by American producer Nick DiDia（英语：Nick DiDia） for the first time. As the band had already prepared "about 30 or 40" songs when they entered the studio, DiDia's task was relatively minor. Bassist John Collins（英语：John Collins (Australian musician)） said of DiDia; "Nick was really good. The way Nick based the record was that he wanted to record the band how we were at that particular moment, he didn't want to play around too much."[11] As a result of this attitude, the band only spent one month in the studio, and the album was mixed（英语：Audio mixing (recorded music)） by DiDia soon after.[11] Powderfinger used the extra time to play table tennis, which was the band's recreation of choice during the Internationalist and Odyssey Number Five（英语：Odyssey Number Five） recording sessions.[12]

Collins described the album as not being as easy listening as their previous work,[11] and that it contained numerous experiments in songwriting that they had not put into previous albums.[11] Fanning later said Internationalist was "a better record" than Double Allergic（英语：Double Allergic）, but acknowledged that it was not as easily likeable—it was just an improvement in songwriting.[13] Collins and Fanning acknowledged that the album's experimental nature could lose them some old fans, but the pair drew parallels with bands such as U2, who Collins said had "constantly re-invented themselves, and with success".[11] He said Powderfinger's reinvention was as much for the band's own interest as it was for the "public's perception".[11] Meanwhile, guitarist Ian Haug（英语：Ian Haug） described the album as a "moderation" between Parables for Wooden Ears（英语：Parables for Wooden Ears） ("the complicated beast") and Double Allergic ("totally simplified"), Powderfinger's two previous albums.[14] He also agreed that the album was much more experimental, and described the album as the band's "most successful", as well as stating that the album that best replicated "the sound we have live".[15]

Numerous songs on Internationalist were politically and socially influenced, although the band denied it being a deliberate motif（英语：Motif (narrative)）.[16] Fanning explaining that the band did not intentionally discuss political issues, saying "we don't try to do anything in particular".[16] He noted, however, that the songs, as his emotional responses to recent events, could inevitably be interpreted as being political.[16] When "The Day You Come（英语：The Day You Come）" was released, there was speculation that it alluded to Pauline Hanson's One Nation political party, although the band claimed the song was vague and didn't specifically refer to one person. Fanning said of "The Day You Come";

Singles

The first single from the album was "The Day You Come", a politically and socially influenced song. The band did not intend for it to be the first single, and released it only when they could not decide on anything else. Haug said it being "a pretty inoffensive song musically" helped Powderfinger make that decision.[14] "The Day You Come" spent nine weeks on the ARIA Charts, peaking at #25.[20]

The second single was the double a-side, "Don't Wanna Be Left Out/Good-Day Ray（英语：Don't Wanna Be Left Out/Good-Day Ray）", released on 9 November 1998. "Don't Wanna Be Left Out", a song about a friend of Fanning's who had difficulty in social situations, was one of the roughest Powderfinger songs to date. 'Don't Wanna Be Left Out' could be comfortably ranked with other Powderfinger songs such as 'Lighten My Load' and 'Rise Up'.[18] Drummer Jon Coghill（英语：Jon Coghill） described it as the most difficult Powderfinger song to play live at the time, because it was so "fast and offbeat".[21] The music video for "Don't Wanna Be Left Out" was unpopular and drew criticism from band members.[22] "Good-Day Ray" was dedicated to Australian television presenter Ray Martin（英语：Ray Martin (television presenter)） and his public disagreements with former Media Watch（英语：Media Watch (TV program)） host Stuart Littlemore（英语：Stuart Littlemore）. Its lyrics verged on punk, though Coghill denied that Powderfinger were a punk band.[18] He also described the music video for "Good-Day Ray" as being one of the better videos the band had made.[21]

Internationalist's third single was "Already Gone（英语：Already Gone (Powderfinger song)）", released on 12 February 1999. The song was a tribute to the Beatles and their influence on Powderfinger's music.[22] The fourth and final single from the album was "Passenger（英语：Passenger (Powderfinger song)）", released on 9 August 1999. "Passenger" was influenced by Elvis Presley, and included a big horn（英语：horn (music)） section, as well as backing vocals from folk group Tiddas（英语：Tiddas (band)）.[23] "Passenger" won the ARIA Award（英语：ARIA Awards） for "Song Of The Year" in 1999.[19] The song's music video was one of Powderfinger's first to feature computer graphics, and was produced by Fifty Fifty Films.[23] "Passenger" spent 11 weeks on the ARIA Charts, peaking at #30.[24] It appeared at #48 on Max（英语：MAX (Australian TV channel)）'s top 100 songs from the 1990s list.[25]

Tour and promotion

Powderfinger went on a nationwide tour after the release of Internationalist, performing with British band Swervedriver（英语：Swervedriver） and fellow Brisbane band Not From There（英语：Not From There） in capital cities across Australia.[18][26] In 1999, the band also toured with Something for Kate（英语：Something for Kate） and Alex Lloyd（英语：Alex Lloyd）.[13] Collins described the process of choosing who the band would play with as a simple matter of choosing whose music the band preferred, stating "we had played with most of the bands, and if you're going on tour with someone you may as well go with someone you get along with and whose music you enjoy."[26] Despite being fans of Swervedriver, who were renowned for "their capability to reproduce their album sound perfectly in the live setting" according to Beat Magazine's Neala Johnson,[16] Fanning said Powderfinger would never attempt to replicate them, because he believed their live shows to be much more "emotionally powerful" than recordings.[16]

With Internationalist, Powderfinger first set their sights overseas, appearing at numerous music festivals in the U.S., including South by Southwest in Texas.[27] While in the U.S., Powderfinger played several showcase performances to record-label representatives in Los Angeles and New York City. In a later interview in Australia, Fanning said these shows were difficult due to the lack of any homegrown fan support. He also said the band were not focused at the shows, and thus they did not go as well as he had hoped.[28] Coghill, however, described the showcases, and the performances in Austin, as "worthwhile" and "fun".[23] After performing in the United States, Powderfinger completed a tour of Canada. Fanning described the band's overseas outlook as a necessity for an Australian-based band, as "people [in Australia] are going to get sick of you pretty quickly if you're going to do five tours a year, so that you can sustain yourself financially."[27]

Reception

Internationalist debuted at the top of the ARIA Albums Chart, and was certified gold in its first week, selling over 35,000 copies.[29] It then went on to go platinum,[30] and is currently certified platinum five times, for 350,000 copies.[31] At the 1999 ARIA Awards（英语：ARIA Awards）, the album received three awards—"Album of the Year", "Best Rock Album", and "Best Cover Art". "The Day You Come" also won "Single of the Year". In 2000, "Passenger" was nominated for three awards, but did not win any.[32]

Haug said he was amazed with the highly positive critical response the album had received, surprised that "even Molly [Meldrum（英语：Molly Meldrum）] gave it nine out of ten." The positivity of the album's reception created a feeling of surrealism, and Haug told Juice Magazine "I wish someone would write a really bad [review]."[14] Nonetheless, he appreciated the credibility the album helped Powderfinger develop.[14] Coghill agreed with Haug on the album's popularity, stating "you couldn't ask for much better", and saying he really took notice of the album's positive critical commentary.[18] Juice's Benedict Watts said it received "a level of universal praise not yet dished out on an Australian release since You Am I's Hi Fi Way（英语：Hi Fi Way）".[14] Despite Polydor telling the band the album would be heavily marketed, Fanning still found its success surprising.[26] HIT's Teresa Bolster suggested Fanning feared the worst during songwriting; "Celebrity Head", a song on the album, was seen as a "pre-emptive, scathing attack on music writers", which he argued was intended as a joke.[28]

Internationalist's critical reception was positive, following in its chart success. The Courier-Mail（英语：The Courier-Mail）'s Nicola Six called it the band's most diverse album yet, using "The Day You Come" as an example; its "opening staccato guitar riff to the way the bass blends with Bernard Fanning's almost-falsetto in the final chorus" made it the "perfect first single".[27] Watts said it "brilliantly pre-empts the mood and progressive nature of the album",[14] and Allmusic's Jonathan Lewis described it as the best track on the album.[33] The Weekend Australian's Iain Shedden said it was "one of the best Australian rock songs of the decade".[34]

"The Day You Come" was not the only single to draw praise; "Don't Wanna Be Left Out" was described as "surf guitar-fuelled",[27] "Good Day Ray" as "thrashy", and HIT's Teresa Bolster wrote that the released of the two as an a-side displayed the album's true scope to the public.[28] AllMusic approved of the "rocking" "Don't Wanna Be Left Out", but said Powderfinger sacrificed their uniqueness on "Good Day Ray", which Lewis argued was heavily Foo Fighters influenced.[33] Lewis approved of the "melodic" "Already Gone",[33] while Juice's Simon Wooldridge said it and "Passenger" demonostrated Powderfinger's "flair for the big hook".[35]

Beat's Neala Johnson compared the album's political motifs to the Manic Street Preachers—"an earnest, sometimes cynical, social and personal conscience displayed in the lyrics".[16] Noel Mangel of The Courier-Mail said it had "a lightness of touch and boisterous spirit", especially compared to the distorted guitars on debut album Parables for Wooden Ears（英语：Parables for Wooden Ears）.[36] MS Queensland's Lauren McKay said the album ranked up there with the best of Bon Jovi and Robbie Williams. Time Off（英语：Time Off）'s Geoff Nicholson said Internationalist was "a blend of shimmering pop songs and thought-provoking probing".[37]

Track listing

  1. "Hindley Street" (Fanning, Powderfinger) – 3:41
  2. "Belter" (Fanning, Powderfinger) – 4:13
  3. "The Day You Come（英语：The Day You Come）" (Fanning, Powderfinger) – 4:00
  4. "Already Gone（英语：Already Gone (Powderfinger song)）" (Fanning, Powderfinger) – 3:28
  5. "Passenger（英语：Passenger (Powderfinger song)）" (Fanning, Powderfinger) – 4:20
  6. "Don't Wanna Be Left Out（英语：Don't Wanna Be Left Out/Good-Day Ray）" (Fanning, Middleton, Powderfinger) – 2:12
  7. "Good-Day Ray（英语：Don't Wanna Be Left Out/Good-Day Ray）" (Coghill, Fanning, Powderfinger) – 1:58
  8. "Trading Places" (Fanning, Powderfinger) – 4:27
  9. "Private Man" (Fanning, Powderfinger) – 3:40
  10. "Celebrity Head" (Fanning, Powderfinger) – 2:20
  11. "Over My Head" (Middleton) – 1:36
  12. "Capoicity" (Fanning, Powderfinger) – 5:44
  13. "Lemon Sunrise" (Fanning, Middleton, Powderfinger) – 3:34

P2K bonus disc

The second release of pressings of the album were released in late November 1998 which included a bonus disc featuring a live recording of Powderfinger's performance at the Sydney Opera House 25th birthday celebration in October 1998.

  1. "Passenger" – 4:42
  2. "Private Man" – 4:01
  3. "Don't Wanna Be Left Out" – 2:55
  4. "Pick You Up（英语：Pick You Up）" – 5:51
  5. "The Day You Come" – 4:36

Personnel

Accolades

参见：List of awards and nominations received by Powderfinger

ARIA Awards

Internationalist and singles from it have been nominated to win ARIA Music Awards（英语：ARIA Music Awards） from the Australian Recording Industry Association (ARIA) in two consecutive years.[32]

Year Work Award Result[32]
1999 Internationalist Best Cover Art Won
Best Rock Album Won
Album of the Year Won
Best Group Nominated
"The Day You Come（英语：The Day You Come）" Single of the Year Won
2000 "Passenger（英语：Passenger (Powderfinger song)）" Best Cover Art Nominated
Best Group Nominated
Single of the Year Nominated

Other awards

In 1999, "The Day You Come" was nominated to win the "Song of the Year" APRA Award（英语：APRA Awards (Australia)） from the Australasian Performing Right Association（英语：Australasian Performing Right Association）,[38] and "Passenger" won the same award the following year.[39] The same year, the tracks "Already Gone", "Good-Day Ray" and "Passenger" all featured in Triple J（英语：Triple J）'s Hottest 100（英语：Triple J Hottest 100） list,[40] and "Don't Wanna Be Left Out" and "The Day You Come" featured in the list in 1998.[41] Australian music magazine Juice selected Internationalist as #80 of their top 100 albums of the 1990s.[42]

See also

References

  1. ^ 引用错误：没有为名为Sueddeutsche的参考文献提供内容
  2. ^ Redacción - ctxt.es. ctxt.es. 
  3. ^ 3.0 3.1 3.2 CTXT obtiene beneficios en su tercer año: "buscamos lectores, no pinchazos". 11 January 2018. 
  4. ^ acción, CTXT. Contexto y. Especial: Qué hacer - ctxt.es. ctxt.es. 
  5. ^ Jorge Lago: Me gustaría que me conocieran por lo que hago, no por lo que tengo. Noticias de Cultura. 
  6. ^ Morales, Clara. Ignacio Sánchez-Cuenca: "La superioridad moral de la izquierda es una condena". infoLibre.es. 
  7. ^ 'Público' y 'CTXT' sellan una alianza editorial. 
  8. ^ Arranz, Rubén. Se abren las fusiones de medios digitales: Público y Ctxt se unen. 
  9. ^ http://ctxt.es/es/20170906/Politica/14825/The-Baffler-CTXT-acuerdo-editorial-EE-UU.htm
  10. ^ Fountaine, Angus. Hot Ticket. The Sunday Telegraph（英语：The Sunday Telegraph）. 1997-11-02. 
  11. ^ 11.0 11.1 11.2 11.3 11.4 11.5 11.6 Clode, Samantha. Taking Flight. Juice. October 1998. 
  12. ^ Mission Impossible. Rolling Stone. August 2000. 
  13. ^ 13.0 13.1 Mathieson, Craig. Powder And The Glory. The Sydney Morning Herald. 1999-07-23: 3. 
  14. ^ 14.0 14.1 14.2 14.3 14.4 14.5 Watts, Benedict. The Beckoning Finger. Juice. November 1998. 
  15. ^ Allergic Internationalists. hEARd Online Music Magazine. 1999. 
  16. ^ 16.0 16.1 16.2 16.3 16.4 16.5 Johnson, Neala. Talkin' Politics?. Beat. December 1998. 
  17. ^ Day You Come (The). Hindley Site. [2007-12-16]. （原始内容存档于2007-12-16）. 
  18. ^ 18.0 18.1 18.2 18.3 18.4 Yorke, Ritchie. Fingers feted at home. The Sunday Mail（英语：The Sunday Mail (Brisbane)）. 1998-11-15. 
  19. ^ 19.0 19.1 Yates, Rod. Trusty Old Jackets. Massive. September 2000. 
  20. ^ Powderfinger – The Day You Come. australian-charts.com. [2007-12-17]. 
  21. ^ 21.0 21.1 Eliezer, Christie. Powderfinger (Int. With Jon Coghill). Australian Musician（英语：Australian Musician (magazine)）. September 1999 [2008-08-10]. （原始内容存档于2008-07-21）. 
  22. ^ 22.0 22.1 Powderfinger (2004). Fingerprints: The Best of Powderfinger, 1994–2000（英语：Fingerprints: The Best of Powderfinger, 1994–2000） companion booklet.
  23. ^ 23.0 23.1 23.2 Pascuzzi, Carmine. Primed for P2K Tour. Media Search. 
  24. ^ Powderfinger – Passenger. australian-charts.com. [2007-12-17]. 
  25. ^ MAX's Top 500 90s Songs – Essential 100. MAX（英语：MAX (Australian TV channel)）. 2007-08-02 [2008-08-10]. （原始内容存档于2007-08-30）. 
  26. ^ 26.0 26.1 26.2 Clode, Samantha. Fish Tales. Juice. December 1998. 
  27. ^ 27.0 27.1 27.2 27.3 Six, Nicola. Day Dream Believers. The Courier-Mail（英语：The Courier-Mail）. 1998-11-19. 
  28. ^ 28.0 28.1 28.2 Bolster, Teresa. Finger On The Pulse. HIT. December 1998. 
  29. ^ ARIA Charts - Accreditations - 1998 Albums. ARIA. [2007-11-19]. 
  30. ^ ARIA Charts - Accreditations - 1999 Albums. ARIA. [2007-11-19]. 
  31. ^ ARIA Charts - Accreditations - 2007 Albums. Australian Recording Industry Association. [2007-12-22]. 
  32. ^ 32.0 32.1 32.2 Powderfinger ARIA awards history. Australian Recording Industry Association. [2007-08-08]. 
  33. ^ 33.0 33.1 33.2 Lewis, Jonathan. Internationalist > Review. Allmusic. [2008-08-10]. 
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