File:India statue of nataraja.jpg

頁面內容不支援其他語言。
這個檔案來自維基共享資源
維基百科,自由的百科全書

原始檔案(1,704 × 2,272 像素,檔案大小:1.16 MB,MIME 類型:image/jpeg


摘要

描述
English: Metropolitan Museum of Art, NYC.

Shiva as Lord of Dance (Nataraja), Chola period (880-1279), ca. 11th century Tamil Nadu, India Copper alloy; H. 26 7/8 in. (68.3 cm); Diam. 22 1/4 in. (56.5 cm) Gift of R. H. Ellsworth Ltd., in honor of Susan Dillon, 1987 (1987.80.1)

If a single icon had to be chosen to represent the extraordinarily rich and complex cultural heritage of India, the Shiva Nataraja might well be the most remunerative candidate. It is such a brilliant iconographic invention that it comes as close to being a summation of the genius of the Indian people as any single icon can. Sculptures of Shiva dancing survive from at least as early as the fifth century, but it was under the rule of the great Chola dynasty of southern India (880-1279) that the world-famous iconographic type evolved. The setting of Shiva's dance is the golden hall of Chidambaram, at the center of the universe, in the presence of all the gods. Through symbols and dance gestures, Shiva taught the illustrious gathering that he is Creator, Preserver, and Destroyer. As he danced he held in his upper right hand the "damaru," the hand drum from which issued the primordial vibrating sound of creation. With his lower right hand he made the gesture of "abhaya," removing fear, protecting, and preserving. In his upper left hand he held "agni," the consuming fire of dynamic destruction. With his right foot he trampled a dwarf like figure (apasmara purusha), the ignoble personification of illusion who leads mankind astray. In his dance of ecstasy Shiva raised his left leg, and, in a gesture known as the "gaja hasta," pointed to his lifted leg to provide refuge for the troubled soul. He thus imparted the lesson that through belief in him, the soul of mankind can be transported from the bondage of illusion and ignorance to salvation and eternal serenity. Encircling Shiva is a flaming body halo ("prabhamandala," or surrounding effulgence) that not only establishes the visual limits of this complex and dynamic composition but also symbolizes the boundaries of the cosmos.
日期
來源 https://www.flickr.com/photos/rosemania/86746598/in/set-72057594048518296/
作者 Rosemania

授權條款

我,本作品的著作權持有者,決定用以下授權條款發佈本作品:
w:zh:共享創意
姓名標示
此檔案採用創用CC 姓名標示 2.0 通用版授權條款。
您可以自由:
  • 分享 – 複製、發佈和傳播本作品
  • 重新修改 – 創作演繹作品
惟需遵照下列條件:
  • 姓名標示 – 您必須指名出正確的製作者,和提供授權條款的連結,以及表示是否有對內容上做出變更。您可以用任何合理的方式來行動,但不得以任何方式表明授權條款是對您許可或是由您所使用。
這幅圖片原始出處為Flickr的https://www.flickr.com/photos/69275268@N00/86746598 ,作者為rosemanios 。經機器人FlickreviewR在2009年六月28日審查後確定為採用cc-by-2.0的協議授權使用。

2009年六月28日

說明

添加單行說明來描述出檔案所代表的內容

在此檔案描寫的項目

描繪內容

沒有維基數據項目的某些值

維基媒體使用者名稱 繁體中文 (已轉換拼寫):​Rosemania
作者姓名字串 繁體中文 (已轉換拼寫):​Rosemania

著作權狀態 繁體中文 (已轉換拼寫)

有著作權 繁體中文 (已轉換拼寫)

攝影器材 繁體中文 (已轉換拼寫)

檔案歷史

點選日期/時間以檢視該時間的檔案版本。

日期/時間縮⁠圖尺寸用戶備⁠註
目前2009年6月28日 (日) 12:30於 2009年6月28日 (日) 12:30 版本的縮圖1,704 × 2,272(1.16 MB)FlickreviewRReplacing image by its original image from Flickr
2009年2月10日 (二) 10:06於 2009年2月10日 (二) 10:06 版本的縮圖768 × 1,024(405 KB)Rosemania{{Information |Description={{en|1=Metropolitan Museum of Art, NYC. Shiva as Lord of Dance (Nataraja), Chola period (880-1279), ca. 11th century Tamil Nadu, India Copper alloy; H. 26 7/8 in. (68.3 cm); Diam. 22 1/4 in. (56.5 cm) Gift of R. H. Ellsworth Lt

下列頁面有用到此檔案:

全域檔案使用狀況

詮釋資料