文森特·梵高:Sorrowful old man
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艺术家 |
文森特·梵高
(1853–1890) |
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其他姓名 |
Vincent Willem van Gogh |
描述 |
荷兰畫家、画家和版畫家 |
出生/逝世日期 |
1853年3月30日 |
1890年7月29日 |
出生/逝世地点 |
津德尔特 |
瓦兹河畔欧韦尔 |
工作时期 |
约1880年~1890年7月间 date QS:P,+1850-00-00T00:00:00Z/7,P1319,+1880-00-00T00:00:00Z/9,P1326,+1890-07-00T00:00:00Z/10,P1480,Q5727902 |
工作地点 |
荷蘭 ( Etten, 海牙, Nuenen, …, 在1886年之前 date QS:P,+1886-00-00T00:00:00Z/7,P1326,+1886-00-00T00:00:00Z/9 ), 巴黎 (1886年–1887年), 阿尔勒 (1888年–1889年), 普罗旺斯地区圣雷米 (1889年–1890年), 瓦兹河畔欧韦尔 (1890) |
權威控制 |
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artist QS:P170,Q5582 |
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标题 |
Nederlands: Treurende oude man English: Sorrowful old man |
物体类型 |
水彩畫 |
日期 |
在1882年11月到1882年12月之间 date QS:P571,+1882-00-00T00:00:00Z/9,P1319,+1882-11-00T00:00:00Z/10,P1326,+1882-12-00T00:00:00Z/10 |
表现形式 |
pencil, black lithographic crayon, wash, white opaque watercolour, on watercolour paper |
现存地点 |
institution QS:P195,Q1051928 |
登录号 |
1017-28, cat van Gogh 1970, nr 81 |
收藏史 |
- Oldenzeel Art Gallery, Rotterdam
- J. Hidde Nijland , The Hague [1895-1928]
- Dordrechts Museum, Dordrecht [loan Hidde Nijland 1904-1910]
- Kröller-Müller Museum, Otterlo, inv nr 1017-28, cat van Gogh 1970, nr 81
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展览史 |
First exhibited 1895 The Hague |
题记 |
Nederlands: Atelier Vincent (links beneden); verso: Gekocht van de kunstkoper Oldenzeel te Rotterdam, Smart van Vincent van Gogh, Hidde Nijland, Dordrecht Dec. 1892 English: Studio Vincent (lower left); on the reverse: Bought from the art dealer Oldenzeel at Rotterdam, Sorrow by Vincent van Gogh, [by] Hidde Nijland Dordrecht, Dec. 1892 |
备注 |
Catalogues raisonnés:
- F998: Faille, Jacob Baart de la (1970年) [1928年] 《 The Works of Vincent van Gogh. His Paintings and Drawings》、阿姆斯特丹: J.M. Meulenhoff、998 號 .
- JH269 : Jan Hulsker (1980), The Complete Van Gogh, Oxford: Phaidon, 號 269.
- The drawing is severely damaged. It was purchased by the Dordrecht art collector J. Hidde Nijland in 1892. Nijland's entire collection of 116 van Gogh drawings was sold in 1928 to the Dutch shipping magnate Anton Kröller, husband of Helene Kröller-Müller, for 100,000 guilders, and became the nucleus of the collection at the Kröller-Müller Museum.
- Vincent says in letter 287 that he made three versions of the subject from two models. The compositionally different F997 is presumed one of these, the other is lost. Both surviving versions were evidently modelled by Zuyderland.
- De La Faille follows the Kröller-Müller Museum in titling it A Man in Sorrow (c.f. the inscription on the reverse noted above). Hulsker titles it Old Man with His Head in His Hands, while the Van Gogh Museum refers to it as At Eternity's Gate in their notes to the letters. Vincent simply refers to the drawing as studies of an old man holding his head in his hands, and in a rare (Hulsker) description of his intent says that he was at pains to make an image of natural piety after Millet.
- Letters
- Letter 286 To Theo van Gogh. The Hague, Friday, 24 November 1882. Vincent van Gogh: The Letters. Van Gogh Museum. "Today and yesterday I drew two figures of an old man with his elbows on his knees and his head in his hands. I did it of Schuitemaker once [F863] and always kept the drawing, because I wanted to do it better another time. Perhaps I’ll also do a lithograph of it [F1662]. What a fine sight an old working man makes, in his patched bombazine suit with his bald head."
- Letter 287 to Anthon van Rappard. The Hague, Friday, 24 November 1882. Vincent van Gogh: The Letters. Van Gogh Museum. "You remember that drawing Worn Out [F863]? In the last few days I’ve done it again no fewer than three times with two models, and will labour on it some more. For the present I have one that will be the subject of a fifth stone, which thus depicts an old working man who sits and ponders with his elbows on his knees and his head (a bald crown this time) in his hands."
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参考 |
- Naifeh, Steven and Smith, Gregory White. Van Gogh: the Life, New York: Random House, 2011. ISBN 978-0-375-50748-9, pp. 318-20 ff.
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来源/摄影师 |
Museum page |
授权 (二次使用本文件) |
这是一个平面 公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
Public domainPublic domainfalsefalse
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https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。” 因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制; 参见再利用PD-Art照片了解详细信息。
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