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摘要

描述

"Woman's Holy War. Grand Charge on the Enemy's Works."

An allegorical 1874 political cartoon print, which somewhat unusually shows temperance campaigners (alcohol prohibition advocates) as virtuous armored women warriors (riding sidesaddle), wielding axes Carrie-Nation-style to destroy barrels of Beer, Whisky, Gin, Rum, Brandy, Wine and Liquors, under the banners of "In the name of God and humanity" and "Temperance League". The foremost woman bears the shield seen in the Seal of the United States (based on the U.S. flag), suggesting the patriotic motivations of temperance campaigners. The shoe and pants-leg of a fleeing male miscreant are seen at lower right.

The background to this is that much drinking went on in male-only gathering places in 1874, and working-class men too often went straight from the factory gates to the saloon on pay-days, and drank away much of the money that their families needed to survive. Much wife-beating and abusive parenting was done when husbands were drunk. Even many well-off middle-class and upper-class wives (who were not victims of spousal abuse, and whose economic situation was not threatened by their husbands' drinking) felt somewhat resentful and neglected when their husbands spent too many nights out at all-male convivial events (almost invariably involving drinking). Many women saw alcohol prohibition as a highly-desirable social reform which would ameliorate many of these problems -- and women banding together to take collective action relieved the sense of personal helplessness that women often felt about their individual situations.

For the opposing point of view (expressed by relatively recent immigrants who had a more family-oriented drinking culture, and saw attempts at prohibition as biased immigrant-bashing), see Image:WeinWeibUGesang.jpg.

For another image which criticizes women "temperance crusaders" for neglecting their homes and families, see File:Mother's Gone Crusading (Boston Public Library).jpg...
日期
来源

Edit of image downloaded from Library of Congress site. https://www.loc.gov/pictures/item/2003656595/

http://hdl.loc.gov/loc.pnp/cph.3a04601
作者
Currier and Ives    wikidata:Q1144898
 
其他姓名
Currier & Ives
描述 美国
 printmaking firm founded by Nathaniel Currier (1813–1888) and James Merritt Ives (1824–1895).
工作地点
规范控制
creator QS:P170,Q1144898
其他版本


许可协议

Public domain
Public domain
这个媒体文件在美国属于公有领域。这适用于版权过期的美国作品,通常因为其首次出版于1929年1月1日之前,或即便当天或以后出版,其并未包含版权通告或获得版权回溯。查看这个页面可以获取到更多的解释。

United States
United States
这个图片在美国以外可能尚未处于公有领域;尤其在对美国作品不适用较短期限法则的国家和地区,如加拿大、中国大陆(不含香港及澳门)、德国、墨西哥和瑞士。创作者和发表年份是关键信息,因此必须提供。参见维基百科:公有领域维基百科:版权信息以获取更多细节。

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 简体中文(已转写)

战斧 中文(已转写)

政治漫画 中文(已转写)

allegory 英语

短柄小斧 中文(已转写)

在文学与文化中的女战士 中文(已转写)

媒体类型 简体中文(已转写)

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当前2006年7月31日 (一) 19:372006年7月31日 (一) 19:37版本的缩略图1,032 × 1,536(403 KB)AnonMoos"Woman's Holy War. Grand Charge on the Enemy's Works." An allegorical 1874 political cartoon, which somewhat unusually shows temperance campaigners (alcohol prohibition advocates) as virtuous armored women warriors, wielding axes Carrie-Nation-style to

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