羅馬體

在拉丁字母的字體排印學中，羅馬體（英語：Roman type）是一種主要印刷字形，與哥特體（Blackletter）、義大利體並列為三大主流字形，也被稱為標準體（Regular）。羅馬體根據古羅馬時代，在建築上的銘文而設計，其特色為直立、正寫。起源於14世紀，當時為神聖羅馬帝國時代。^[5]在文藝復興時期，羅馬體與義大利體成為兩大主要印刷字形。

參考資料

^ Amert, Kay. Stanley Morison's Aldine Hypothesis Revisited. Design Issues. April 2008, 24 (2): 53–71. S2CID 57566512. doi:10.1162/desi.2008.24.2.53.
^ Vervliet, Hendrik D.L. The palaeotypography of the French Renaissance. Selected papers on sixteenth-century typefaces. 2 vols.. Leiden: Koninklijke Brill NV. 2008: 90–91, etc. ISBN 978-90-04-16982-1. [On Robert Estienne's typefaces of the 1530s]: Its outstanding design became standard for Roman type in the two centuries to follow...From the 1540s onwards French Romans and Italics had begun to infiltrate, probably by way of Lyons, the typography of the neighbouring countries. In Italy, major printers replaced the older, noble but worn Italian characters and their imitations from Basle.
^ Bergsland, David. Aldine: the intellectuals begin their assault on font design. The Skilled Workman. [14 August 2015]. （原始內容存檔於2022-01-17）.
^ Parkes, Malcolm Beckwith. Pause and Effect: An Introduction to the History of Punctuation in the West. Aldershot, UK: Scolar Press. 1992: 215.
^ Bringhurst, p 124.

[Stanley_Morison's_Aldine_Hypothesis_Revisited2-1] Amert, Kay. Stanley Morison's Aldine Hypothesis Revisited. Design Issues. April 2008, 24 (2): 53–71. S2CID 57566512. doi:10.1162/desi.2008.24.2.53.

[palaeotypography2-2] Vervliet, Hendrik D.L. The palaeotypography of the French Renaissance. Selected papers on sixteenth-century typefaces. 2 vols.. Leiden: Koninklijke Brill NV. 2008: 90–91, etc. ISBN 978-90-04-16982-1. [On Robert Estienne's typefaces of the 1530s]: Its outstanding design became standard for Roman type in the two centuries to follow...From the 1540s onwards French Romans and Italics had begun to infiltrate, probably by way of Lyons, the typography of the neighbouring countries. In Italy, major printers replaced the older, noble but worn Italian characters and their imitations from Basle.

[Aldine:_the_intellectuals_begin_their_assault_on_font_design2-3] Bergsland, David. Aldine: the intellectuals begin their assault on font design. The Skilled Workman. [14 August 2015]. （原始內容存檔於2022-01-17）.

[4] Parkes, Malcolm Beckwith. Pause and Effect: An Introduction to the History of Punctuation in the West. Aldershot, UK: Scolar Press. 1992: 215.

[5] Bringhurst, p 124.

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