早川雪洲
早川雪洲 | |
|---|---|
 摄于1918年 | |
| 男演员 | |
| 出生 | 早川 金太郎 1886年6月10日 |
| 逝世 | 1973年11月23日（87岁） |
| 配偶 | 青木鹤子 （1914年结婚—1961年丧偶）[1] |
| 儿女 | 3 |
| 活跃年代 | 1914年－1966年 |
早川雪洲（日语：早川雪洲／はやかわ せっしゅう Hayakawa Sesshū，英语：Sessue Hayakawa[2]，1886年6月10日—1973年11月23日），本名早川金太郎，出生于日本千叶县安房郡千仓町（现南房总市），青年时赴美国芝加哥大学攻读经济学，后来活跃于好莱坞等欧美电影界，并成为20世纪10年代中期至20年代晚期的超级巨星，风靡了许多女性观众，其地位堪与同时代的查理·卓别林、范庞克等人相提并论。早川雪洲也是第一位在西方电影界达到顶峰成就的日本人和东亚人。晚年参与《桂河大桥》的演出，并获提名为1957年的奥斯卡最佳男配角奖。
虽然早川雪洲卓越的演技从无声电影时代到有声电影时代皆得到了西方人的肯定，但却因1915年在电影《The Cheat》中扮演一个冷酷残忍的日本青年而遭受祖国日本舆论的猛烈抨击，并被扣上了国耻大帽，此事让爱国心极强的早川雪洲深觉遗憾与不平。二战结束后，早川雪洲积极地回到日本活动，参与了多部日本电影的演出。1966年因妻子青木鹤子过世的影响而正式息影，1973年于东京都千代田区神田的杏云堂医院因脑溢血病逝，享寿87岁。
早川雪洲对于自己的演技如此评论：
| “ | 我不是在扮演一个角色，而是在扮演一个明星。 | ” |
电影作品
[编辑]- 1914: O Mimi San
- 1914: The Courtship of O San
- 1914: The Geisha
- 1914: The Ambassador’s Envoy
- 1914: The Wrath of the Gods/The Destruction of Sakura-Jima or The Wrath of the Gods – Lord Yamaki
- 1914: A Tragedy of the Orient
- 1914: A Relic of Old Japan
- 1914: Star of the North
- 1914: The Curse of the Caste
- 1914: The Village ’Neath the Sea
- 1914: The Death Mask
- 1914: The Typhoon – Tokorama
- 1914: The Hateful God
- 1914: The Vigil – Kenjiro
- 1914: Mother of the Shadows – Running Elk
- 1914: The Last of the Line – Tiah - Gray Otter's Son
- 1915: After Five – Oki, the Valet
- 1915: The Famine – Horisho
- 1915: The Chinatown Mystery – Yo Hong
- 1915: The Clue – Nogi
- 1915: The Secret Sin – Lin Foo
- 1915: The Cheat (1915) (The Cheat) − Hishuru Tori/Haka Arakau
- 1915: Temptation – Opera Admirer
- 1916: Alien Souls – Sakata
- 1916: The Honorable Friend – Makino
- 1916: The Soul of Kura San – Toyo
- 1916: The Victoria Cross – Azimoolah
- 1917: Each to His Kind – Rhandah
- 1917: The Bottle Imp – Lopaka
- 1917: The Jaguar’s Claws – El Jaguar
- 1917: Forbidden Paths – Sato
- 1917: Hashimura Togo – Hashimura Togo
- 1917: The Call of the East – Arai Takada
- 1917: The Secret Game – Nara-Nara
- 1918: The Hidden Pearls – Tom Garvin
- 1918: The Honor of His House/Honor of the House – Count Ito Onato
- 1918: The White Man’s Law – John A. Genghis
- 1918: The Bravest Way – Kara Tamura
- 1918: The City of Dim Faces – Jang Lung
- 1918: His Birthright - Yukio
- 1918: The Temple of Dusk – Akira
- 1918: Banzai – The American General
- 1918: United States Fourth Liberty Loan Drive/An Untitled Liberty Loan Film
- 1919: Bonds of Honor – Yamashito/Sasamoto
- 1919: A Heart in Pawn – Tomaya
- 1919: The Gray Horizon
- 1919: The Dragon Painter – Tatsu, the Dragon Painter
- 1919: The Illustrious Prince – Prince Maiyo
- 1919: The Tong Man – Luk Chen
- 1919: The Courageous Coward – Suki Iota
- 1919: His Debt – Goto Mariyama
- 1919: The Man Beneath – Dr. Chindi Ashutor
- 1920: The Beggar Prince – Nikki/Prince
- 1920: The Brand of Lopez – Vasco Lopez
- 1920: The Devil’s Claim – Akbar Khan/Hassan
- 1920: Li Ting Lang/Traditions Altar – Li Ting Lang
- 1920: An Arabian Knight – Ahmed
- 1921: The First Born – Chan Wang
- 1921: Black Roses – Yoda
- 1921: Where Lights Are Low – T Su Wong Shih
- 1921: The Swamp – Wang
- 1922: Five Days to Live – Tai Leung
- 1922: The Vermilion Pencil – Tse Chan/The Unknown/Li Chan
- 1922: Night Life in Hollywood/The Shriek of Hollywood
- 1923: About everything the fatherland, or the battle (La bataille)
- 1924: Sen Yan's Devotion – Sen Yan
- 1924: The Great Prince Shan – Prince Shan
- 1924: The Danger Line – Marquis Yorisaka
- 1924: J’ai tué!/Fidélité/I Have Killed – Hideo the antiquarian
- 1929: Sessue Hayakawa in 'The Man Who Laughed Last'
- 1931: Daughter of the Dragon – Ah Kee
- 1931: Around the World with Douglas Fairbanks
- 1932: Running Hollywood
- 1932: Taiyo wa higashi yori/The Sun Rise from the East – Kenji
- 1934: Bakugeki hikôtai
- 1935: Tôjin Okichi
- 1935: Kuni o mamoru mono: Nichiren
- 1937: The daughter of the samurai/Atarashiki tsuchi/The New Earth/The New Soil – Iwao Yamato
- 1937: Yoshiwara – Isamo, Kuli
- 1937: Branded (Forfaiture/The Cheat) – Prince Hu-Long
- 1938: Storm over Asia (1938) (Tempête sur l'Asie) – Le prince Ling
- 1939/1942: Macau gambling/Macao, l'enfer du jeu/Gambling Hell/Mask of Korea – Ying Tchaï
- 1942: Patrouille blanche – Halloway
- 1943: Soleil de minuit, Le – Matsui
- 1943: Malaria – Saïdi
- 1946: Le cabaret du grand large – Professeur Wang
- 1947: Quartier chinois – Tchang
- 1949: Tokyo Joe – Baron Kimura
- 1950: Three Came Home – Colonel Suga
- 1950: Harukanari haha no kuni/The Motherland Far Far Away – Joe Hayami
- 1950: Re mizeraburu: kami to akuma/Les Miserables: Gods and Demons
- 1950: Re mizeraburu: kami to jiyu no hata
- 1953: Onna kanja himon − Akô rôshi
- 1953: Kurama Tengu to Katsu Kaishû
- 1953: Higeki no shôgun: Yamashita Tomoyuki
- 1954: Nihon yaburezu
- 1955: Tokio−Story (House of Bamboo) – Inspector Kito
- 1957: The Bridge on the River Kwai – Col. Saito
- 1958: The geisha boy – Mr. Sikita
- 1959: Green Mansions – Runi
- 1960: Hell to Eternity – Gen. Matsui
- 1960: Swiss Family Robinson – Kuala, Pirate Chief
- 1961: The Big Wave – The Old Man
- 1966: The Daydreamer – The Mole
- 1967: Junjô nijûsô
电视演出
[编辑]- 1958: Kraft Television Theatre: The Sea Is Boiling Hot
- 1958: Studio One: Kurishiki Incident – Sato
- 1958: Wagon Train: The Sakae Ito Story – Sakae Ito
- 1961: Here’s Hollywood (1961)
- 1963: Route 66: Two Strangers and an Old Enemy– Takasuka
文学出版
[编辑]- Sessue Hayakawa: The samurai's son. The life of Sessue Hayakawa. Henry Goverts Verlag, Stuttgart 1963.
- S. Noma (Hrsg.): Hayakawa Sesshu. In: Japan. An Illustrated Encyclopedia. Kodansha, 1993. ISBN 4-06-205938-X, S. 511.
- Donald Kirihara: The Accepted Idea Displaced. Stereotype and Sessue Hayakawa. In: Daniel Bernardi (Hrsg.): The Birth of Whiteness. Race and the Emergence of U.S. Cinema. Rutgers University Press, New Brunswick NJ 1996, ISBN 0-8135-2277-3, S. 81–99.
参考来源
[编辑]- ^ Chuong, Chung. Distinguished Asian Americans: A Biographical Dictionary
. Greenwood. 1999: 111. ISBN 978-0313289026.
- ^ 早川本人认为用Sessue代替拼写Sesshū对于美国人而言更容易发音[1] （页面存档备份，存于互联网档案馆），但美国人通常念为Ses-sue或sesu-é
