用户:人间百态/戏剧欧洲
| 戏剧欧洲 | |
|---|---|
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| File:Theatre Europe cover art.jpg 北美版封面 | |
| 类型 | 回合制战略 |
| 平台 | 康懋达64、ZX Spectrum、Amstrad CPC、Atari 8-bit、Apple II、Einstein |
| 开发商 | Personal Software Services |
| 发行商 | Personal Software Services |
| 设计师 | 艾伦·斯蒂尔（Alan Steel） 肖恩·皮尔斯（Sean Pearce） 大卫·博尔顿（David Bolton） |
| 系列 | 战略战争游戏（Strategic Wargames） |
| 模式 | 单人 |
| 发行日 |
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《戏剧欧洲》（英语：Theatre Europe），是由Personal Software Services开发并发行的一款回合制战略游戏。1985年，该作在英国发行，可在康懋达64、ZX Spectrum、Amstrad CPC和Atari 8-bit游玩。1986年，该作由ERE Informatique在法国发行，由Datasoft在美国发行。1989年，该作推出了Tatung Einstein的移植版。该作为战略战争游戏（Strategic Wargames）系列第5作。
The game is set during a fictional war in Europe between NATO and the Warsaw Pact, in which both sides use nuclear and chemical weapons. The developers used information and statistics on military strength from the Ministry of Defence and the Soviet embassy in London. The objective is to fight conventional battles in continental Europe, whilst trying to avoid a worldwide nuclear holocaust. During the game, capital cities and their civilian populations are destroyed by nuclear weapons. The game ends once either side is forced to surrender or if the entire population of Europe perishes. To request a nuclear strike, the player was required to call a dedicated telephone number to hear an automated message giving the authorisation code.
Theatre Europe was criticized by the Campaign for Nuclear Disarmament (CND) and The Sun newspaper. Some high street retail chains refused to sell the game upon release. The game received critical acclaim for its accuracy, playability and value for money. It won the "Best Strategy Game" award at the 1985 Golden Joystick Awards and was nominated for "Game of the Year".
PSS released a 16-bit follow-up game in 1989, Conflict: Europe.[1][2]
Gameplay
[编辑]The game is a turn-based strategy and revolves around a fictional conflict between the powers of NATO and allies of the Warsaw Pact.[3] The player has the choice of choosing either NATO or the Warsaw Pact (collectively referred to as Soviet forces), or a "demo" computer versus computer option, where the game plays itself.[4][5] The game takes place over a period of 30 in-game days, in which one day is equal to one "round".[4][6] There are three types of difficulty; level one, in which unless provoked, the enemy will not use nuclear weapons, whilst levels two and three will enable the enemy to use nuclear and chemical attacks to prevent the player from winning the game.[5]
The main feature of the game is focused on a map of Europe and western Russia, which displays accurate terrain such as mountain ranges, major cities, borders and all military forces belonging to each side. The game also features an arcade sequence which involves shooting down enemy units in order to secure combat bonuses; this gameplay mode, however, can be ignored by changing the game's settings.[4] If the arcade sequences are turned on, the player will be notified to choose a battle on the map. Depending on the area chosen, an illustration of a battle commencing in countryside or a city is presented with various forms of military equipment including aeroplanes, helicopters and tanks. The player must shoot down and destroy enemy units using their cursor, in similar style to Missile Command.[5] The outcome of the arcade sequence will affect the game;[4] performing poorly will result in severe losses throughout that round.[5]
After combat has been resolved, the player must move and assemble their forces in continental Europe, which is known as the movement phase.[7] Two special units are exclusively available to the Warsaw Pact: "the 1st Airborne Army which can be flown directly behind enemy lines, and the 1st Amphibious Army which can move over the sea to a tactical attack point".[5] Units are moved by cursor, and only one may be moved at a time. Once all units have been moved within a round, the attack phase will begin. Any amount of friendly units may attack an opposing army; however, once a unit has been dispatched for battle it cannot be stopped until the current attack phase concludes.[5][6] During the attacking phase, a separate screen displaying combat information, such as enemy numbers and casualties, is displayed.[8] If the screen detailing the attacking phase has been turned off in the settings, the battle will instead be decided on warrants of air superiority and armaments.[5]
After battle sequences, the player will have the opportunity to rebuild their units by allocating a quantity of armament supplies, such as air support, which can be issued to any friendly unit on the map. After rebuilding ground units, the game will move onto an "air phase", which consists of commanding aircraft such as aeroplanes, bombers and a limited number of reserve air units.[5] Several options for allocating air forces include: counter air strikes, reconnaissance on enemy movement, interdiction, assault breakers, and deep strikes.[8][5] Counter air strikes involve attacks on enemy air bases, whereas interdiction involves aircraft being sent behind enemy lines in order to attack supply and movement networks. If interdiction aircraft are discovered in enemy territory, there will be a chance that the side will respond with a retaliatory nuclear strike.[5] The remaining three aircraft options are to attack a single unit, strike enemy territory, and attack railways in order to disable enemy reinforcements, respectively.[3]
The game allows the player to request chemical and nuclear tactical strikes against the enemy. A chemical attack is automatically targeted at an enemy capital city, and will conclude with a readout announcing the outcome of the attack, such as civilian casualties. In order to launch a strategic nuclear attack, the player is given 30 seconds to call a dedicated 1-800 telephone number and obtain a special authorisation code from the automated answerphone message (the authorisation code was 'Midnight Sun').[9][5][3][10] Once the authorisation code has been received, the player will be given three separate options on how to proceed. Standby mode will postpone the nuclear launch, whereas a strategic launch will involve one nuclear warhead targeting a city. The third option, known as "Fire-Plan", will issue a full-scale nuclear strike across Europe and results in a nuclear holocaust, which will end the game.[5][3][8]
Release
[编辑]In an interview with Your Computer magazine, Gary Mays stated that Theatre Europe received heavy criticism from the Campaign for Nuclear Disarmament (CND).[10] The CND accused the developers of "bad taste", despite Cockayne claiming that the organisation never "looked into the product". During development of the game, Cockayne and Mays obtained figures and statistics of various military strength from the Ministry of Defence and the Soviet embassy in London.[3] Cockayne asserted that the statistics the developers gained were realistically plausible, stating that he would let the "horrifying results speak for themselves" during the game.[10] Game designer Alan Steel stated that during testing, he was "alarmed" to discover when the computer played itself, the Warsaw Pact always won a conventional war overwhelmingly, forcing NATO to either surrender or begin a nuclear war. Steel adjusted the game to give NATO a chance to win.[3] Theatre Europe was first released in the United Kingdom for the Commodore 64, ZX Spectrum, Amstrad CPC and Atari 8-bit home computers in 1985. It was then re-released in France and the United States for those consoles in 1986.[11] Due to lobbying from the CND, high street outlets such as Boots and John Menzies refused to sell the game in their stores, with the former finding it "morally offensive".[12]
Reception
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The game received critical acclaim upon release. Gwyn Hughes of Your Sinclair defended the accuracy and morality of the game, stating that it was not in "bad taste" and that the game was a "well researched program", which he thought would give the player an insight into the nature of modern war.[4] Philippa Irving of Crash similarly stated that Theatre Europe offered more than a usual "run-of-the-mill" war game and heralded its simplistic nature, adding that novice gamers would "get in to it with ease".[5] John Gilbert of Sinclair User added scepticism over the developer's intention of making something "so serious" as opposed to their other titles; however he praised the game as a "brilliant, if chilling" simulation.[7] A reviewer writing for ZX Computing similarly stated that the game was "superbly chilling" and "extremely" well-presented.[15] A reviewer of Computer and Video Games criticised the inferior graphics on the ZX Spectrum, stating that they were "a bit flawed" in comparison to the Commodore 64 version.[6]
Bill Harrington reviewed the game for Computer Gaming World, and stated that " TE does a credible job of demonstrating the perils of escalation and dramatizing how slippery the slope to nuclear war might be, but is basically a game in search of a market."[16]
Computer Gamer noted that the game attracted media attention, despite the objective of the game discouraging the use of nuclear weapons. Reed praised the presentation and gameplay, also stating that the use of a joystick and keyboard is "excellent".[8] A reviewer from Zzap!64 heralded the presentation and value for money, stating that it is overall "very special indeed". The reviewer also gave praise to the sound, suggesting that the game featured "one of the best pieces of micro music ever".[3] Antic stated that the Atari 8-bit version's "execution is uneven". The magazine reported that the arcade portion "quickly becomes a nuisance" and NATO could not defeat the Warsaw Pact because of lack of balance, flaws that did not exist in the Commodore 64 version.[17] Peter Connor of Advanced Computer Entertainment said that Theatre Europe was a "gift", in regards to its value of money and level of playability.[13] In a 1994 survey of wargames Computer Gaming World gave the title two-plus stars out of five, stating that it was "rendered obsolete by history and game play".[18]
The game won the "Best Strategy Game" award at the 1985 Golden Joystick Awards and was nominated for "Game of the Year".[14]
References
[编辑]- ^ Railton, Ken. Games - Conflict Europe. ST Format. No. 3 (Future plc). October 1989: 74. 参数
|journal=与模板{{cite magazine}}不匹配（建议改用{{cite journal}}或|magazine=） (帮助) - ^ Rignall, Julian. Review - Conflict in Europe [sic]. Computer and Video Games. No. 93 (Future plc). August 1989: 74. 参数
|journal=与模板{{cite magazine}}不匹配（建议改用{{cite journal}}或|magazine=） (帮助) - ^ 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 Wade, Bob. Theatre Europe review (Zzap!). Zzap!64. June 1985, (2): 18–20.
- ^ 4.0 4.1 4.2 4.3 4.4 4.5 Hughes, Gwyn. Theatre Europe review. Your Sinclair. August 1986, (8): 67 [31 December 2015]. （原始内容存档于6 March 2016）.
- ^ 5.00 5.01 5.02 5.03 5.04 5.05 5.06 5.07 5.08 5.09 5.10 5.11 5.12 5.13 Irving, Philippa. Theatre Europe review (Crash). Crash. July 1986, (30): 54, 55 [31 December 2015].
- ^ 6.0 6.1 6.2 6.3 Theatre Europe review (CVG). Computer and Video Games. October 1986, (61): 43.
- ^ 7.0 7.1 7.2 Gilbert, John. Theatre Europe review. Sinclair User. August 1986, (53): 61.
- ^ 8.0 8.1 8.2 8.3 8.4 Staff. Theatre Europe review. Computer Gamer. No. 17. August 1986: 95.
- ^ Daniel Goldberg. The State of Play: Creators and Critics on Video Game Culture. Seven Stories Press. 20 October 2015. ISBN 978-1-60980-640-8.
- ^ 10.0 10.1 10.2 10.3 History of PSS. Your Computer. 13 June 1986, 6 (6): 84–85 [3 October 2015].
- ^ Theatre Europe release list. GiantBomb. CBS. [5 January 2016].
- ^ Schofield, Jack. Futures (Micro-Guardian): Anyone for Armageddon? / Computer war games. The Guardian. 29 August 1985.
- ^ 13.0 13.1 Connor, Peter. Theatre Europe review. Advanced Computer Entertainment. December 1987, (3): 90.
- ^ 14.0 14.1 Golden Joystick Awards. Computer and Video Games (EMAP). May 1986, (55): 90.
- ^ Theatre Europe and Iwo Jima review. ZX Computing. August 1986, (86): 43.
- ^ Harrington, Bill. Theatre Europe: Datasoft Goes To War. Computer Gaming World. Vol. 1 no. 39. Aug–Sep 1987: 32–33.
- ^ Stanoch, John. Theatre Europe. Antic. June 1987.
- ^ Brooks, M. Evan. War In Our Time / A Survey Of Wargames From 1950-2000. Computer Gaming World. January 1994: 194–212.
