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欧陆迪斯科

维基百科，自由的百科全书
欧陆迪斯科
Eurodisco
風格起源
文化起源20世纪70年代中期的西德、法国、意大利和英国。[4][5]
衍生形式
類型分支
意大利迪斯科（英语：Italo disco）[17]
融合類型
太空迪斯科
其他主題

欧陆迪斯科 (英語：Eurodisco；有时也写为Euro disco或Euro-disco)是一种电子音乐流派，由20世纪70年代中期的迪斯科演变而来，[18]该音乐流派在纯电子化、机械化和未来主义的元素中融入了欧陆流行乐，[19][20]该音乐流派浮现了很多欧洲音乐制作人和音乐家，其中有乔治·莫罗德尔，马克·塞罗内（英语：Marc Cerrone）和弗兰克·法里安（英语：Frank Farian），在改编美国迪斯科音乐时也融入了欧陆流行音乐和使用最新的音乐技术，如鼓机（英语：drum machine）、电子鼓和合成器，从而形成了这一流派。[21]

许多欧洲舞曲的歌词都是用英语演唱的，尽管演唱者的母语往往不同。此外，该流派还被认为是电子舞曲最早的形式之一，[22][23]同时也被认为是后来电子音乐流派如浩室、欧陆舞曲和科技舞曲的先驱。

影响

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到了1983年，欧陆迪斯科的影响已渗透到美国的舞蹈和流行乐领域，欧洲的制作人和词曲作者为美国新一代的表演者带来了灵感。尽管1979年迪斯科在美国的倒退宣告了迪斯科的 "死亡"，但随后欧陆迪斯科风格的成功跨越了摇滚、流行和舞蹈的界限，例如有Blondie的《Call Me（英语：Call Me (Blondie song)）》和劳拉·布拉尼根的《Gloria》。[24]

其中劳拉·布拉尼根的《Branigan（英语：Branigan (album)）》和《Branigan 2（英语：Branigan 2）》（由德国制作人杰克·怀特（英语：Jack White (music producer)）制作）与乔治·莫罗德尔为音乐负责制作的美国乐队柏林（英语：Berlin (band)）和艾琳·卡拉一起，更深入地融入了欧陆迪斯科风格，并获得了的成功。到了1984年，许多国家的音乐家都开始制作欧陆迪斯科风格的歌曲。在德国，这种音乐的著名实践者包括Modern Talking、Arabesque（英语：Arabesque (group)）、Sandra（英语：Sandra (singer)）、Fancy（英语：Fancy (singer)）、Silent Circle（英语：Silent Circle）、马克·马瑞恩、莲·露丝和C. C. Catch。在丹麦的Laban、法国的Magazine 60（英语：Magazine 60）、Début de Soirée（英语：Début de Soirée）和Monte Kristo（英语：Monte Kristo）、瑞典的Troll、西班牙的New Baccara和Joy（英语：Joy (Austrian band)）等也与德国艺术家一起在20世纪80年代中后期巩固了欧陆迪斯科的音乐地位。

在中国大陆，欧陆迪斯科通过香港DJ杨振龙Alex的混音专辑《东方好莱坞明星舞会》（荷东）的传播而普及，该专辑以杨振龙驻场的舞厅“東方好萊塢明星舞會”命名。“荷东”以及后来发布的专辑《猛士》成为了欧陆迪斯科的代名词[25][26]。

1980年，欧陆迪斯科风行于美国的越南侨民社区，被称为New Wave，并出现了大量欧陆迪斯科歌曲的越南语翻唱（英语：Vietnamese diasporic music）[27]。

参见

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参考文献

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  1. ^ Horn, David; Shepherd, John. Continuum Encyclopedia of Popular Music of the World Volume 8. Bloomsbury Publishing. 8 March 2012. ISBN 978-1-4411-4874-2 –通过Google Books. 
  2. ^ Koskoff, Ellen. The Garland Encyclopedia of World Music. Taylor & Francis. 25 September 2017 [2024-06-20]. ISBN 9781351544146. （原始内容存档于2024-06-20） –通过Google Books. 
  3. ^ Peter Shapiro. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 23 June 2015. ISBN 978-1-4668-9412-9. The following year, the flip, “Baby Come Back,” becomes a huge hit across Europe, setting in motion Europop and soon Eurodisco. 
  4. ^ Electronica, Dance and Club Music. Routledge. 5 July 2017 [May 31, 2024]. ISBN 978-1-351-56854-8. ... eurodisco emerged in the mid - 70s and revolved around a simplifica- tion of early disco's polyrhythmic percussion , which it reduced to a pound- ing bass beat ... 
  5. ^ Wodtke, Larissa. Dance-Punk. Bloomsbury Publishing. 6 April 2023 [2024-06-20]. ISBN 9781501381874. （原始内容存档于2024-06-20） –通过Google Books. ... instead of coming from Eurodisco strongholds in Germany, Italy, or France, the best imports right now are from England... 
  6. ^ Kuligowski, Waldemar; Poprawski, Marcin. Festivals and Values Music, Community Engagement and Organisational Symbolism. Springer International Publishing. 27 November 2023 [2024-06-20]. ISBN 9783031397523. （原始内容存档于2024-06-20） –通过Google Books. disco polo , a musical genre combining influences from Italian and German eurodisco and Belarusian , Ukrainian and Balkan folk melodies , with kitsch lyrics mainly about ( heterosexual ) love ( Socha 2020 ). 
  7. ^ Ellis, Iain. Rebels Wit Attitude Subversive Rock Humorists. Soft Skull Press. 29 October 2008 [2024-06-20]. ISBN 9781593763350. （原始内容存档于2024-06-20） –通过Google Books. ... Fischerspooner and Chilly Gonzales have also embraced the "electroclash" style-a camp mutation of Euro-disco and new wave-as the vehicle for their own campaigns of identity fluidity... 
  8. ^ Morley, David; Ang, Ien. Cultural Studies. Taylor & Francis. 3 August 2005 [2024-06-20]. ISBN 9781134957927. （原始内容存档于2024-06-20） –通过Google Books. Eurorecords had to have immediate cross-national appeal, musical simplicity was of the essence- a bouncy beat, just one chorus hook, elementary lyrics. The fun of these records was entirely a matter of sound quality, but once a record was a hit it took on a kind of sleazy, nostalgic charm of its own. It was precisely the brazen utility of these records, in short, that gave them gay disco consumer appeal too.[...] Eurodisco also had an obvious element of camp -British club audiences took delight in the very gap between the grand gestures of Eurosingers and the vacuity of their songs. 
  9. ^ Bogdanov, Vladimir; Woodstra, Chris; Bush, John; Erlewine, Stephen Thomas. All Music Guide to Electronica: The Definitive Guide to Electronic Music. Backbeat Books. 2001 [May 31, 2024]. ISBN 978-0-87930-628-1. 
  10. ^ Le Menestrel, Sara. The Color of Music: Social Boundaries and Stereotypes in Southwest Louisiana French Music. Southern Cultures. 2007, 13 (3): 87–105 [2024-06-20]. ISSN 1068-8218. JSTOR 26391066. （原始内容存档于2023-12-03）. 
  11. ^ Hasselhoff, David; Thompson, Peter. Don't Hassel the Hoff The Autobiography. St. Martin's Press. 15 May 2007. ISBN 9781429901062 –通过Google Books. Simon invited me to work with Stock, Aitken and Waterman, Britain's biggest hit-makers of the 1980s whose work favoured a high-spirited blend of pop music and Hi-NRG, a high-tech version of Euro-disco. I checked into the Piccadilly Hotel 
  12. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始内容存档于2024-06-12） –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  13. ^ Decentring Dancing Texts The Challenge of Interpreting Dances. Palgrave Macmillan UK. 24 July 2008 [2024-06-20]. ISBN 9780230584426. （原始内容存档于2024-06-20） –通过Google Books. 
  14. ^ Borthwick, Stuart; Moy, Ron. Popular Music Genres: an Introduction. Routledge. 15 April 2020 [2024-06-20]. ISBN 978-0-7486-1745-6. （原始内容存档于2023-12-16） –通过Google Books. 
  15. ^ How Synthwave Grew from a Niche '80s Throwback to a Current Phenomenon. Popmatters. 25 November 2019 [May 31, 2024]. （原始内容存档于2019-11-28）. 
  16. ^ Schütte, Uwe. German Pop Music A Companion. De Gruyter. 11 January 2017 [2024-06-20]. ISBN 9783110423549. （原始内容存档于2024-06-12） –通过Google Books. Like Frankfurt, Munich also had a (more indirect) house and techno pre-history via the Eurodisco sound associated with Giorgio Moroder. 
  17. ^ Beatnick, Mr. The Essential... Giorgio Moroder. Fact Magazine. 2013-04-21 [2024-06-18]. （原始内容存档于2024-06-18） （美国英语）. 
  18. ^ Evans, Mike. 30-Second Rock Music - The 50 Key Styles, Artists and Happenings Each Explained in Half a Minute. Ivy Press. 4 October 2018 [2024-06-20]. ISBN 9781782405542. （原始内容存档于2024-06-20） –通过Google Books. 'Euro Disco', an electronic music style popularized by producers like Giorgio Moroder. 
  19. ^ Shapiro, Peter. Turn the Beat Around: The Secret History of Disco. Macmillan + ORM. 2015-06-23. ISBN 978-1-4668-9412-9 （英语）. 
  20. ^ Ellen Koskoff, Ellen. The Garland Encyclopedia of World Music The United States and Canada · Volume 3. Taylor & Francis. 25 September 2017 [2024-06-20]. ISBN 9781351544146. （原始内容存档于2024-06-20） –通过Google Books. Rhythm and blues disco was joined by Eurodisco, a style from the continent that relied largely on synthesized instrumentation and effects. Lacking the footing in the rhythm and blues idioms that carried American disco, Eurodisco sounded more purely electronic, often more futuristic. Some tunes 
  21. ^ Sturman, Janet. The SAGE International Encyclopedia of Music and Culture. SAGE Publications. 2019-02-26. ISBN 978-1-5063-5338-8 （英语）. 
  22. ^ Reynolds, Simon. Bring the Noise 20 Years of Writing About Hip Rock and Hip Hop. Soft Skull Press. 24 May 2011 [2024-06-20]. ISBN 9781593764609. （原始内容存档于2024-06-20） –通过Google Books. The 'funkless' accusation is pretty incontestable. It goes back to Giorgio Moroder, whose productions for Donna Summer pioneered the first all-electronic dance music: Eurodisco. 
  23. ^ Christopher, David. British Culture An Introduction. Routledge. 1999 [2024-06-20]. ISBN 9780415220538. （原始内容存档于2024-06-20） –通过Google Books. Around 1977 the German producer Giorgio Moroder popularised an infectious, rhythmical, electronic dance music (later known as 'Euro disco') through the music of the American vocalist Donna Summer. 
  24. ^ David Bowie Made Me Gay: 100 Years of LGBT Music. 2017 [29 August 2023]. （原始内容存档于2024-06-03）. The influence of Eurodisco was soon felt in America, where Moroder provided Blondie with their biggest US chart hit ('Call Me'), and Laura Brannigan would also hit Number One with a cover of the Italian pop hit 'Gloria'. 
  25. ^ DJBA电音谱：电音英雄Jamaster A（杨振龙），叱咤岂止三十年. DJBA.com. 2018-05-15. 
  26. ^ Feng, Zihan. Performing Plasticity: On Recycling, Prosthetic Memories, and the Precarious Working-Class Renaissance:—The Case of Disco Alaskan Wolves.". Journal of Art, Media, and Visual Culture. 2023. 
  27. ^ Documentary unearths personal trauma beneath ‘New Wave’ madness. San Francisco Chronicle. 2024-10-21. 

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