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使用者:Azusa1226/"Slut!"

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en:"Slut!" / 蕩婦!


蕩婦!
"Slut!"
A photo of Swift with a blue background; her face is covered by the word "Slut!"
泰勒絲單曲
收錄於專輯《1989 (泰勒絲全新版)
發行日期2023年10月27日 (2023-10-27)
錄音室康威錄音室好萊塢
類型合成器流行
時長3:00
唱片公司聯眾唱片
詞曲
製作人
泰勒絲單曲年表
慘痛夏日
(2023年)
蕩婦!
(2023年)
真的結束了嗎?英語Is It Over Now?
(2023年)
歌詞影片
YouTube上的〈蕩婦!〉

蕩婦!〉(英語:"Slut!"[註 1]是美國創作歌手泰勒絲的歌曲。該曲由泰勒絲、傑克·安多夫和派屈克·伯格共同創作並製作。該曲原先預計收錄在泰勒絲的第五張錄音室專輯《1989》(2014年)。泰勒絲在2019年陷入作品母帶所有權爭議後,該曲經重製並收錄於重錄專輯《1989 (泰勒絲全新版)》 (2023年)。〈蕩婦!〉於2023年10月27日由聯眾唱片上架串流媒體並開放單曲下載。同日,環球音樂將該曲於義大利電台發行。該曲的原聲版收錄於《1989 (泰勒絲全新版)》數位豪華版,並開放限時下載。

"'Slut!'" is a 1980s-inspired 速度 (音樂) 合成器流行 song incorporating soft 合成器s, 電子音樂 elements, and gentle vocals. The lyrics are about embracing a romance in spite of public scrutiny. Music critics interpreted the title as a reference to the 蕩婦羞辱 Swift had experienced; they gave the song positive reviews, with praise focusing on the production and the playful lyrics. Commercially, "'Slut!'" peaked at number three on both the Billboard Global 200 and 告示牌百大單曲榜 and reached the top 10 on charts in Australia, Canada, Ireland, New Zealand, Singapore, and the United Kingdom.

背景[編輯]

After signing a new contract with Republic唱片, the singer-songwriter 泰勒絲 began re-recording her first six studio albums in November 2020.[2] The decision followed a 泰勒絲作品母帶爭議 between Swift and the talent manager 斯庫特·布勞恩, who acquired Big Machine Records, including the 母帶 of Swift's albums which the label had released.[3][4] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use英語Synchronization rights and therefore substituted the Big Machine–owned masters.[5] From July 2021 to July 2023, Swift released three re-recorded albums of her earlier releases: 無懼的愛 (泰勒絲全新版), 紅色 (泰勒絲全新版), and 愛的告白 (泰勒絲全新版); each album also featured several unreleased "From the Vault" tracks that she had written but left out of the original albums' track listings.[6]

Republic Records released Swift's fourth re-recorded album, 1989 (泰勒絲全新版), on October 27, 2023, on the ninth anniversary of her fifth original studio album, 1989 (泰勒絲專輯) (2014).[7][8] The original album was Swift's first "official pop" album after she had marketed her first four albums to country radio英語country radio, and it transformed her artistry and image from 鄉村音樂 to pop.[9][10] As with her other re-recorded projects, 1989 (Taylor's Version) features five newly recorded "From the Vault" tracks that Swift had written but left out of the original track listing.[11] Prior to the release, on September 19, Swift teased the track list by posting a video of an animation on Instagram featuring the characters "T-S-!-U-L" emerging from a blue vault, which fans and journalists interpreted to be a teaser for one of the five vault tracks.[12] Swift released the track list on September 21, confirming "'Slut!'" to be the 17th track of the album's 21 songs on the standard edition.[13]

Around the time when 1989 was released, following a series of publicized romances with other celebrities such as 哈利·史泰爾斯, 約翰·梅爾, and 傑克·葛倫霍, the media portrayed Swift as a "serial dater".[14][15][16] She addressed the subject in various interviews and satirized the media's portrayal of her on the album's second single, "空白 (泰勒絲歌曲)".[17] As with "Blank Space", "'Slut!'" has lyrics discussing the media perception of her as a young woman with numerous romantic attachments.[18] Swift shared via Tumblr that she had to choose between "Blank Space" and "'Slut!'" for the original 1989 as both tracks addressed similar themes;[19] she added that for her, the "California" atmosphere of "'Slut!'" was out of place for the New York-inspired album.[20]

製作與歌詞[編輯]

Swift wrote and produced "'Slut!'" with 傑克·安多夫 and Patrik Berger.[1][21] Antonoff provided backing vocals and recorded the song with Laura Sisk at Rough Customer Studio and Electric Lady Studios英語Electric Lady Studios in New York and Sharp Sonics Studios and Conway Recording Studios in Los Angeles. Antonoff and Berger programmed英語programming (music) the track, assisted by 音訊工程師s Jack Manning, Megan Searl, and Jon Sher. Both Antonoff and Berger played 合成器s; the former also played bass and guitar. The track was mixed英語audio mixing (recorded music) by Serban Ghenea英語Serban Ghenea at MixStar Studios in 維珍尼亞海灘, and 母帶 by 蘭迪·美林 at Sterling Sound in Edgewater, New Jersey英語Edgewater, New Jersey.[1]

"'Slut!'" is a 合成器流行 song[22] that runs for exactly three minutes.[23] It has a 速度 (音樂) production[24] that incorporates 1980s-influenced 合成器s, 電子音樂 elements, and gentle backing vocals; the Clash英語Clash (magazine) critic Alex Berry added that the production features a variety of "modern" instruments.[25][26] Some critics commented that despite the impression of an uptempo song brought by the exclamation mark in its title, "'Slut!'" turned out to be a gentle and tender track.[註 2] It has a slow pace; 內幕公司's Callie Ahlgrim and 滾石 (雜誌)'s Brittany Spanos described the song as a "slow dance英語slow dance",[30][28] while Ed Power from the I (報章) characterized it as a "slo-mo 抒情歌曲".[31] Alyssa Bailey of Elle called it "dreamy pop".[32] Chris Willman from 綜藝 (雜誌) and Bobby Olivier from NJ.com英語NJ.com said "'Slut!'" was reminiscent of Swift's 2022 album 午夜 (專輯);[33] the latter cited the "sultry, late-night haze" evoked a "dark and dreamy" atmosphere and said the synth soundscape resembled the Midnights track "Maroon英語Maroon (song)".[34] The Line of Best Fit英語The Line of Best Fit critic Kelsey Barnes thought that "'Slut!'" was musically reminiscent of the "拉娜·德芮-tinged" "狂野之夢".[35]

The lyrics of "'Slut!'" are about an intense romance despite the criticism one may receive for it.[註 3] In the 專輯注釋 of 1989 (Taylor's Version), Swift expresses that she was a target of 蕩婦羞辱 and it took a toll on her.[37] As a response, she wrote "'Slut!'" to address the criticism surrounding her dating life.[18] In the second verse, Swift takes the opportunity to subtly respond to those who criticize her for her relationships ("Everyone wants him, that was my crime").[38] She is aware of the misogynistic disapproval that she might face ("I'll pay the price, you won't").[39] The lyric "Love thorns all over this rose, I'll pay the price, you won't" drew comparisons to the lyrics "Screaming, crying, perfect storms, I can make all the tables turn, Rose garden filled with thorns" in "Blank Space", highlighting the contrasting standards held to the romantic lives of men and women.[註 4] Yahr of The Washington Post said the lyrics in "'Slut!'" conveyed Swift's frustration.[29] Willman from Variety interpreted the lyrics "But if I'm all dressed up, They might as well be looking at us, If they call me a 'slut!', You know it might be worth it for once" as Swift expressing less concern about how her dating life might impact her public image.[33] Mikael Wood of the 洛杉磯時報 thought the lyric "If I'm gonna be drunk, might as well be drunk in love" was a reference to 碧昂絲's "Drunk in Love英語Drunk in Love" (2013).[22]

專業評價[編輯]

The song received generally positive reviews upon release. Angie Martoccio of 滾石 (雜誌) called the song a "stunner" and described it as "a hazy, shimmering ode to being unabashedly in love, even if you're shamed and sexualized for it".[36] In a review by The Line of Best Fit's Kelsey Barnes, the track was the "most surprising" of the Vault tracks as it strayed away from the "'Blank Space' satirical tongue-in-cheek" anticipated by fans. Barnes added that Swift shouting "slut", which reverberates across the song, was "empowering".[35] Similarly, Dani Maher of 時尚芭莎 said the song's gentle and tender sound was a surprise as she expected a similar "sardonic smirk" approach of "Blank Space".[42] The PopMatters critic Jefferey Davis picked "'Slut!'" as the most memorable vault tracks from the album.[43] Olivier ranked it second out of the five vault tracks and described it as "ultimately triumphant".[34]

Writing for 衛報, Rachel Aroesti called the song "a shimmering tale of inappropriate sexual adventure".[44] While reviewing the album as a whole, American Songwriter英語American Songwriter's Alex Hopper called the song "deliciously hedonistic and playful".[45] Meanwhile, Adam White in The Independent described the song as "nicely gentle and airy".[46] Lauren Huff of Entertainment Weekly viewed the track as Swift's proclamation that "if people are going to judge and mock you anyway, you might as well just keep on living and take the plunge".[40] In less enthusiastic reviews, Shaad D'Souza of Pitchfork and Mikael Wood of the Los Angeles Times deemed "'Slut!'" the weakest vault track; the former said it was "ambling and aimless" compared to other tracks,[47] and the latter wrote: "Strong concept, so-so execution."[22] Lindsay Zoladz from 紐約時報 thought that the song was "half-baked" because, despite an insightful and self-aware premise about slut-shaming, the lyrics "[center] the salvation of romance, as if the affection of a decent man [...] can rescue a woman from the systemic scrutiny of sexism".[24]

發行與商業表現[編輯]

On the day of the album's release, "'Slut!'" was released as a single with a distinct cover art on Apple Music[29][48] and was sent to Italian radio by 環球音樂集團.[49] On November 9, an acoustic version of the song was released as a bonus track of a deluxe edition of the album, titled 1989 (Taylor's Version) [Deluxe +], exclusively on Swift's website; this release lasted for only one day.[50][51] Swift performed "'Slut!'" live for the first time during the acoustic segment of a 布宜諾斯艾利斯 concert on November 12, 2023, as part of her sixth headlining concert tour, 時代巡迴演唱會.[52]

"'Slut!'" peaked in the top ten on charts of Canada (3),[53] Australia (4),[54] New Zealand (5),[55] the United Kingdom (5),[56] Ireland (6),[57] and Singapore (10).[58] In the United States, it debuted and peaked number three on the 告示牌百大單曲榜 with 27 million streams, behind fellow album tracks "Is It Over Now?英語Is It Over Now?" and "Now That We Don't Talk英語Now That We Don't Talk".[59][60] On the Billboard Global 200, the song reached number three, with 55 million streams. Swift achieved the most top-ten entries for a female artist on that chart.[61]

製作團隊[編輯]

Credits are adapted from Tidal.[62]

  • 泰勒絲 – lead vocals, songwriting, production
  • Jack Antonoff – songwriting, production, background vocals, record engineering, programming, synthesizer
  • Patrik Berger – songwriting, production, bass, guitar, programming, synthesizer
  • Serban Ghenea英語Serban Gheneamixing英語audio mixing (recorded music)
  • Bryce Bordone – mix engineering
  • Laura Sisk – record engineering
  • 蘭迪·美林母帶
  • Ryan Smith – master engineering

排行榜[編輯]

排行榜(2023—2024年) 最高排名
澳大利亞(澳大利亞唱片業協會單曲榜)[54] 4
Brazil (Brasil Hot 100英語Brasil Hot 100)[63] 96
加拿大(Canadian Hot 100[53] 3
捷克(百強數位單曲榜[64] 69
丹麥(Tracklisten[65] 33
法國(法國唱片出版業公會單曲榜)[66] 137
德國(德國官方單曲榜[67] 45
全球(Billboard Global 200[68] 3
Greece International (國際唱片業協會希臘分會)[69] 12
India International Singles (印度音樂產業協會)[70] 13
愛爾蘭(愛爾蘭唱片音樂協會單曲榜[57] 6
Japan Hot Overseas (日本告示牌)[71] 16
Latvia (拉脫維亞表演者和製片人協會)[72] 20
Lithuania (AGATA (組織))[73] 49
Malaysia (告示牌 (雜誌))[74] 19
Malaysia International (馬來西亞唱片業協會)[75] 17
MENA (國際唱片業協會)[76] 19
荷蘭(百大單曲榜[77] 38
紐西蘭(紐西蘭官方音樂榜[55] 5
挪威(VG-lista單曲榜)[78] 17
Philippines英語Philippines Songs (告示牌 (雜誌))[79] 12
Poland (Polish Streaming Top 100英語Polish music charts)[80] 55
葡萄牙(葡萄牙唱片業協會[81] 32
Singapore (新加坡唱片業協會)[58] 10
斯洛伐克(百強數位單曲榜[82] 66
瑞典(瑞典最熱榜[83] 21
UAE (國際唱片業協會)[84] 15
英國(官方榜單公司單曲榜[56] 5
美國(Billboard Hot 100[59] 3
Venezuela (唱片報告)[85] 88
Vietnam (Billboard Vietnam Hot 100)[86] 39

銷量認證[編輯]

Certifications for "Template:-'Slut!'"
地區 認證 認證單位/銷量
澳大利亞(澳大利亞唱片業協會[87] 1× 金 35,000double-dagger

double-dagger僅含認證的串流媒體+實際銷量

發行歷史[編輯]

Release dates and formats for "'Slut!'"
Region Date Format Label(s) Ref.
Various October 27, 2023 Republic唱片 [23][88]
Italy 電台廣播 環球音樂集團 [49]

註釋[編輯]

  1. ^ 全名為「〈蕩婦!〉(泰勒絲全新版)(私藏版)」[1]
  2. ^ Attributed to 時尚芭莎's Dani Maher,[27] 滾石 (雜誌)'s Brittany Spanos,[28] and 華盛頓郵報's Emily Yahr[29]
  3. ^ As discussed by 華盛頓郵報's Emily Yahr,[29] Elle's Alyssa Bailey,[32] and 滾石 (雜誌)'s Angie Martoccio[36]
  4. ^ As discussed by Elle's Alyssa Bailey,[32] 娛樂周刊's Lauren Huff,[40] and 時代雜誌's Moises Mendes II[41]

參考資料[編輯]

  1. ^ 1.0 1.1 1.2 1989 (Taylor's Version) - Taylor Swift (CD liner notes). Republic唱片. 2023. 
  2. ^ Melas, Chloe. Taylor Swift Speaks Out about Sale of Her Masters. 有線電視新聞網. 2020-11-16 [2020-11-19]. (原始內容存檔於2020-11-18). 
  3. ^ Taylor Swift Wants to Re-Record Her Old Hits. 英國廣播公司新聞部. 2019-08-22 [2019-08-22]. (原始內容存檔於2019-08-22). 
  4. ^ Finnis, Alex. Taylor Swift Masters: The Controversy around Scooter Braun Selling the Rights to Her Old Music Explained. I (報章). 2020-11-17 [2021-02-13]. (原始內容存檔於2021-02-12). 
  5. ^ Shah, Neil. Taylor Swift Releases New Fearless Album, Reclaiming Her Back Catalog需要付費訂閱. 華爾街日報. 2021-04-09 [2022-09-25]. (原始內容存檔於2021-10-08). 
  6. ^ Espada, Mariah. Taylor Swift Is Halfway Through Her Rerecording Project. It's Paid Off Big Time. 時代雜誌. 2023-07-06 [2023-11-06]. (原始內容存檔於2023-10-27). 
  7. ^ Clinton, Jane. The tracklist and release date and time for Taylor Swift's 1989 (Taylor's Version). I (報章). 2023-10-26 [2023-11-27]. 
  8. ^ Bell, Sadie. Taylor Swift Releases 1989 (Taylor's Version): 'It's Been Waiting for You'. 人物 (美國雜誌). 2023-10-27 [2023-11-27]. 
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  19. ^ Merolla, Jennamichelle. Here's what Taylor Swift's 1989 vault song 'Slut!' is about. 今天 (NBC). 2023-10-28 [2023-11-20]. (原始內容存檔於2023-11-20). 
  20. ^ Armstrong, Megan. Taylor Swift Explained Why 'Slut!' Was Cut From The Original 1989. Uproxx英語Uproxx. 2023-10-27 [2023-11-20]. (原始內容存檔於2023-11-20). 
  21. ^ Viswanath, Jake. Taylor Swift Tackles Slut-Shaming Like Never Before On 'Slut!'. Bustle英語Bustle (magazine). 2023-10-27 [2023-10-27]. (原始內容存檔於2023-10-27). 
  22. ^ 22.0 22.1 22.2 Wood, Mikael. Taylor Swift's 1989 (Taylor's Version): The five new songs, ranked有限度免費查閱,超限則需付費訂閱. 洛杉磯時報. 2023-10-27 [2023-10-28]. (原始內容存檔於2023-10-28). 
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  24. ^ 24.0 24.1 Zoladz, Lindsay. Taylor Swift's ''Slut!'[[:Template:-']] and the Evolution of a Pop Star Feminist有限度免費查閱,超限則需付費訂閱. 紐約時報. 2023-10-27 [2023-10-31]. (原始內容存檔於2023-10-31).  網址-維基內鏈衝突 (幫助)
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  33. ^ 33.0 33.1 Willman, Chris. Taylor Swift's 1989 (Taylor's Version) Vault Tracks Bridge the Gap Between 2014 and the Midnights Era: Album Review. 綜藝 (雜誌). 2023-10-27 [2023-10-27]. (原始內容存檔於2023-10-29). 
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  36. ^ 36.0 36.1 Martoccio, Angie. 1989 (Taylor's Version) Is Our Deepest Look Yet Into the Record That Made Everyone a Swiftie有限度免費查閱,超限則需付費訂閱. 滾石 (雜誌). 2023-10-27 [2023-10-27]. (原始內容存檔於2023-10-27).  參數|magazine=與模板{{cite web}}不匹配(建議改用{{cite magazine}}|website=) (幫助)
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